PORTFOLIO / FIELD NOTESVOL. 01 — IMAGE / INTENTION

NATE WRIGHT

Nate Wright in profile against a black background, holding glowing blue orbs
SUBJECT / N. WRIGHT
ROLE / DIRECTOR + EDITOR
01 / LIGHT → FEELING 16:9
02 / CAMERA → STORY 16:9
03 / CUT → RHYTHM 16:9
DIRECTION
CAMERA
EDIT
COLOR
SOUND
MOTION
DELIVERY
+
HUMAN AT THE CENTER

DIRECTOR + EDITOR

FROM THE FIRST IDEA
TO THE FINAL FRAME.
OBSERVE. CONNECT. CREATE.FOLLOW THE PROCESS ↓

Selected works.

LANDSCAPE. PEOPLE. MOTION.
The Tetons01 / DSCF2365
At the foot of the mountains02 / DSCF1086
First light03 / DSCF1388
Between rides04 / DSCF1893
In motion05 / DSCF1448
MORE FROM THE SERIES + 06 PHOTOGRAPHS
Open ground06 / DSCF1395
Passing light07 / DSCF1888
Over the fence08 / DSCF1621
Airborne09 / DSCF1964
Under an open sky10 / DSCF1333
Passing through11 / DSCF1478

Understanding the whole process changes how I approach each step.

When I make a decision in creative development, I consider how it will affect the shoot, the edit, approvals and final delivery. I look ahead so I can anticipate those effects before they become problems.

SELECT A STAGE TO SEE THE DOWNSTREAM EFFECT

CURRENT DECISION

WHAT I’M ALREADY THINKING ABOUT

I bring an understanding of how every part connects.
That perspective shapes each decision I make.